Crew Profile: Richard Heng, Lighting Engineer

Richard Heng is Mega Boogie’s Lighting Engineer. Born in Kota Kinabalu, Richard has been working with lighting equipment since around 2006, and full time with Mega Boogie for around two years.

“I went to local schools: SRJK Chung Hwa, Likas for primary, and Sekolah Menengah All Saints for secondary. That’s the same secondary school as Lazman [Mega Boogie MD Lazman Atiqi Ibrahim] and Kevin Chong [Mega Boogie sound technician].

From Preparation: Ronan Keating Dine and Song and Beach Party event at Bunga Raya Island Resort.

“When I finished my SPM, I joined my dad who had this kedai kopi [local style coffee shop] business, and I was learning about cooking, everything about that.

“Later I tried sales and other kinds of work, and started working part-time for Wilti-Jos Music Production. In those days it was one of the biggest sound and lighting companies in KK. They needed part-timers to just clear up after shows, things like that. I didn’t know anything about their equipment at that time, I didn’t even know what extension cables were, nothing!”

But Richard saw what went on in that business, and it caught his interest.

“Something about lighting… I just liked it! So it all started from there, lah. Eventually I worked as a full-timer at Wilti-Jos. During that time it was challenging; I had to learn all new stuff, everything.”

From 6th Sabah International Folklore Festival

After getting a taste of the industry, Richard moved on. He found it was difficult to find people to learn from, and ended up going online to look for courses.

“I wanted to learn as much as I could, but in Sabah at that time, there was no-one to ask how to use the equipment.I studied a lot myself, and in 2006 I paid for an online course.

From Little video from Richard

“The basic lighting console we have is Avolites. It’s manufactured in the UK, so I went to their website, and looked for someone to email and ask about training courses to use the equipment. Someone from the company emailed me a contact, and that contact sent me a video, which was in Q&A format. It was just about the basic stuff, and cost USD 85. They also sent me a private link on their website, to source information. I went on like this until the courses were getting to advanced level, then I stopped and just carried on myself, learning off the board itself.”

From Preparation: KK Jazz Festival 2011

Mega Boogie started operations about five years ago, while Richard was working with a company called AVS.

“Mega Boogie’s first function was in Magellan [Sutera Harbour Resort], I believe. At that time they only had a few speakers, and a few lights. I thought: Lazman’s my friend, I’ll go and help him.

“At the time, one of the Par Cans was not working, something like that, so I helped him fix it. The show went ok, no problem.”

From Hot FM/Coca Cola event at Padang Merdeka

AVS rented equipment from Mega Boogie and other companies, and Richard ran into Lazman a lot during that time. Later Richard freelanced for several lighting companies, including his previous employers, and also Mega Boogie.

“Almost two years ago I started to work with Mega Boogie regularly. I saw that this company has branded, premium quality equipment, good things you can really learn from. From then on, I stopped working with other companies. I really put all my effort into Mega Boogie, to help Lazman build up this company, lah. Lazman is my friend, and also his father is my father’s friend.”

Richard intends to keep on learning with Mega Boogie, as their business develops.

“Mega Boogie’s lighting has reach one level already, you know in other places like America and the UK, the trend is now to use LED screens as a backdrop, and you can create on it, like it’s a visual.”

Looks like crew member Richard Heng’s going to have plenty more to learn about going forward, and he’ll be loving it all the way.

Quotes about Richard:

  • “He’s keen: I met him a few weeks ago, and he was asking me if I knew people in lighting in Sabah, so he could exchange ideas. Unfortunately, I don’t know anyone!” [Stephen Lim, sound engineer.]
  • “He stayed up all night working on the lights, and came to sleep just as the rest of us were all waking up!” [Nasier Lee, photographer.] The crew slept on the barge stage for a week before the Ronan Keating Bunga Raya resort concert.
  • “Richard has great passion for this profession and has often talked about the possibilty of going further for studies should the opportunity arise.” [Friend]
From Miss Scuba International 2011

Ronan Keating Dine & Song, Marine Day Beach Party raising awareness for giant clams

Mega Boogie provided sound and lighting for the “Ronan Keating Dine and Song” event, and “Marine Day Beach Party”, both located at Bunga Raya Island Resort and Spa, in Sabah. These events were the culmination of “Marine Awareness Month” [MAM], which celebrated significant milestones in marine biology achieved by the resort’s Marine Ecology Research Centre [MERC].

Ronan Keating Dine and Song

Setting up earlier in the day.

Lighting engineer Richard Heng said “We’ve got two big Martin Mac 3 profiles to put patterns in the trees.”

Light beams aimed skywards and fanned out. “At the dining event, we are using 8 Clay Paky Sharpys moving lights. Poolside there will be 12 Pearl River XL Beam 300s”, said Richard.

Following in the footsteps of KidZ, the second generation of child prodigies raised by Cikgu Shariff Kassim, Belalang open the Ronan Keating show.

For the main event itself, two projector screens, plus EIKI LCD Projectors 15,000 ANSI Lumens were in use.

Marine Day Beach Party!

Ronan Keating performs at the beach party.

Soundman Kevin Chang said the truss spanned 80 feet wide, 30 deep and 30 high. “There are two hanging line arrays of JBL Vertec 4889s, six per side, and two of 4888s, five per side.”

Rhythm Colour and Beauty. Zumba at the Marine Day Beach Party!

Local musicians keep the party going!

Everything is under control.

Setting Up: Save the Giants, dinner and beach events

Mega Boogie provided sound and lighting for the “Save The Giants with Ronan Keating” fine dining and music event, and “Marine Day Beach Party”, both located at Bunga Raya Island Resort and Spa, in Sabah. These events were the culmination of “Marine Awareness Month” [MAM], which celebrated significant milestones in marine biology achieved by the resort’s Marine Ecology Research Centre [MERC].

The beach

The stage for the “Marine Day Beach Party” was on a barge.

Mega Boogie’s crew arrived here on April 14th, for the dinner event on the 21st and the Marine Day Beach Party on the 22nd. The crew slept each night on the barge with the equipment.

“We go to sleep about 2.00am, after packing everything away, and we’re awake before 7.00am because it’s getting hot”, someone said.

“Except for [Lighting Engineer] Richard Heng,” said photographer Nasier Lee. “He stays up all night making patterns with the lights, and sleeps as I am waking up.”

Richard said he would have 4 Clay Paky Sharpys set up for the beach party.

By April 20th, the crew were as dark as rainforest trees and weather beaten, but otherwise unbeaten!

Soundman Kevin Chang said the trussing spanned 60 feet on the inside, 30 deep and 80 feet high. The side extensions took it out another 20 feet each side.

Kevin said, “There are two line arrays of JBL Vertec 4889s, six per side, and two of 4888s, five per side.”

The barge swayed to the waves, I heard thunder out to sea. It had been a week of setting up and dismantling, testing and packing away, everyone prey to the weather’s whimsy.

Poolside

Richard Heng said, “At the dining event, we are using 8 Clay Paky Sharpys moving lights. Poolside there will be 12 Pearl River XL Beam 300s.

“The resort’s colour scheme is blue and green so we’ll match that, and we’ve got two big Martin Mac 3 profiles to put patterns in the trees.”

Richard said he’d got a new set-up for Mega Boogie’s video projection, like an American Idol effect: the shimmering pool in front, a projector screen at the back, and light beams aimed skywards and fanning out.

Two projector screens, plus EIKI LCD Projectors 15,000 ANSI Lumens were in use.

Looking good with another day to go.